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Bringing In The May (EP)

by Peacock's Tale Musical Storytelling

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1.
Puckered, Helpless, Grizzled, Clenched Ugly as a newborn face; Scared to let myself go: And where do I go Except towards death? And what if I grow In the wrong directions, Abnormal or twisted, And how do you do it anyway? Thoughts crumpled, Feelings crushed. Perhaps I’m not even a leaf? Just scared to stand out From the crowded branches? So what am I? – yellow? Or just painfully shy Soft virgin green Closed against the urging sun? Do I have to do anything? Will I just become – me? Or do I have to force myself out? Safer to sit tight; But then I get scared The rest of the branch Which had seemed So wooden Is unfolding faster; Best to let go then; But what if my flower Hardly out of bud Gets pollinated? The May blossom light Of the still warm evening; The birdsong high Above distant traffic: God become mild And expansive, beaming: Death's breathless wind: All give their answer: He who saves her dances Will never be a dancer.
2.
(And faster around the chessboard Maypole three four...) It was on a somer’s evening, The merry month of May, When buds are free and briddes sing And leaves are brave and gay. I met a surly bishop, Cruel steward at his side And now his guards lay slain or fled But at me he did chide, ‘Pawn so soiled and churlish, Living like a beast, Your king crusades against the Turk, Spare me and join the feast.” “Norman,” I laughed, your danelaw’s Ploughed every inch of this land, You’ve snatched your danegeld twice and thrice With chainmail on your hand,” “Now stubborn as Danish sokeman And true as Saxon thegn With a ‘waes heal’ and a freeman’s shout, We snatch it back again. “In the name of good King Alfred And the nation that he saved, In the Lincoln green of an English knight, We make our own crusade.” “There’s knight blood on my longstaff Fresh as the day I fled: I hit him and hit him and hit him And hit him until he was dead. I’m much too far gone, Abbot, For you to save my soul, Besides in that great pile of flesh, Where’s yours? The devil’s hole. “For all your noble churches With turrets and with towers, For all your royal forest laws The venison is ours. “Call for beef and mutton, It tastes like sheep and cow, Stuff your pork till you’re blue in the face, It’s villein’s boar and sow. “You can keep your cuckoo’s feathers, Your fancy foreign drawl, All we want back is the silver and gold You loot by cross and law. “In the name of good King Alfred And the nation that he saved, In the Lincoln green of an English knight, We make our own crusade.” The swift as the sunlight’s flicker Behind the still-leafed tree, I caught the chink of a tinkling spur And a mounted lady’s plea. “Stout yeman, I beg your mercy Upon yon abbot’s life,” Golden hair flowed from her golden crown, In my heart went a long cold knife. “She’d never meant to parley Though she used the English tongue, You slew a knight whose daughter I am. Now your bowstring music’s sung.” I planted my last arrow Deep in the forest green, “Where it lands I live an outlaw forever.” I fell at the feet of my queen. Now the light is painfully fading On the merry songs we sang And the flight for our lives through the trees And the future left to hang… “In the name of God’s King Alfred And the harvest that he saved, Against these king of the castle knights, We’ve made our last crusade.”
3.
4.
A moon of May and a shining hour Hunted hind harried in the gloom And passing fair is the fading flower Fa la la la la la la la la la. You stalked me softly who later flew Hunted hind harried in the gloom And kissed me bold, wild and free and new. Fa la la la la la la la la la. With lips of young, sweet and dangerous rose Hunted hind harried in the gloom That like the blood-red of summer blows. Fa la la la la la la la la la. (Anne Boleyn) So wild to hold though I seem so tame; Hunted hind harried in the gloom I lost my heart when I won the game. Fa la la la la la la la la la. A Tudor rose and a May queen’s throne. Hunted hind harried in the gloom I plucked them both and now both are gone. Fa la la la la la la la la la. I lost my soul for a golden band Hunted hind harried in the gloom That bows the neck as it forced the hand. Fa la la la la la la la la la. I lost my head for a peerless hour Hunted hind harried in the gloom And my True Thomas in the tower. Fa la la la la la la la la la. Six headless horses to lead me home; Hunted hind harried in the gloom A headless coachman; a hollow crown. Fa la la la la la la la la la. Lyric © Gareth Calway published in the Poppyland volume Doin Different http://garethcalway.blogspot.com/p/doin-different.html
5.
I stole to the door of Blickling Hall On the nineteenth night of a moonlit May And met the ghost of Anne Boleyn Shining bright as day. Six headless horses drew her coach A haunted headless coachman drove, ‘Give them their head!’ she laughed, then turned On me her look of love. ‘I lost my hart in the darkest chase, On the dying fall of a hunting horn. I lost my head for the rose of the world And the rose withered on the thorn. ‘A death-white moon with a raven head And a smile like a blossom of lovely May I sold my heart for a worldly crown And I’ll take your breath away.’ ‘I’m not your True Thomas!’ I cried in dread And her witch head turned in its rotting shroud ‘Ah! You’ve named the angel who guards my grave,’ And she hid her moon face in a cloud. ‘I lost your hart in the darkest chase On the dying fall of a hunting horn. I lost my head for the rose of the world And the rose withered on the thorn.
6.
‘Come hither, Captain,’ the Grail Maiden sighs, ‘Thither away with me To the rich wooded valley and holy well My Waste Land dies to be. ‘Look! into the burning wilderness sun Above the shadeless tree, The high hawk of summer, hovering still, The shadow of what will be: ‘The Shadowless One who waits above To be born to you and me, A Knight of Truth out of traitor arms And infidelity. ‘Galahad the Pure, God-armed and winged To bless our impurity Unbearably born to steal your quest And all of your shining glory. ‘Come hither, Captain,’ the Grail Maiden sighs, And turns him a face so free: His forbidden love, the queen of his dreams, The end of all Chivalry.’ A faithless false knight in a failing light Fallen under a spell to see/ be A Knight of Truth out of traitor arms And infidelity. Says he, ‘My heart is set on the grail And wholly raised above!’ Says she, ‘It’s broken, and half is set On your true adulterous love.’ ‘I am her champion, she is my king’s, I am their faithful knight!’ ‘The Grail can’t be had for half a heart, You can have that queen tonight. ‘Whisper my name, any name you like, Any lover you want me to be, A night of Truth in my traitor arms And in fidelity.’ ‘Come hither, Captain,’ the Grail Maiden sighs, ‘Thither away with me To the rich wooded valley and holy well My Waste Land dies to be.
7.
'Blow, trumpet, for the world is white with May; Blow trumpet, the long night hath rolled away! Blow through the living world—"Let the King reign." 'Shall Rome or Heathen rule in Arthur's realm? Flash brand and lance, fall battleaxe upon helm, Fall battleaxe, and flash brand! Let the King reign. 'Strike for the King and live! his knights have heard That God hath told the King a secret word. Fall battleaxe, and flash brand! Let the King reign. 'Blow trumpet! he will lift us from the dust. Blow trumpet! live the strength and die the lust! Clang battleaxe, and clash brand! Let the King reign. 'Strike for the King and die! and if thou diest, The King is King, and ever wills the highest. Clang battleaxe, and clash brand! Let the King reign. 'Blow, for our Sun is mighty in his May! Blow, for our Sun is mightier day by day! Clang battleaxe, and clash brand! Let the King reign. 'The King will follow Christ, and we the King In whom high God hath breathed a secret thing. Fall battleaxe, and flash brand! Let the King reign.' Tennyson from 'The Coming of Arthur' What is greener than the grass? Lay the bent to the bonny broom What is smoother than a glass? And you'll beguile the lady soon. What is louder than a horn? Lay the bent to the bonny broom What is sharper than a thorn? And you'll beguile the lady soon. What is deeper than the sea? Lay the bent to the bonny broom What is longer than a Way? And you'll beguile the lady soon. Child Ballad 1 (Riddles Wisely Expounded)

about

A craft EP made in Norfolk. youtu.be/u6cM3DIvkCI
All titles* written, composed, arranged, performed and produced by Peacock's Tale (*except track 4 - lead guitar, harmony vocals and produced by Warwick Jones; track 7 words from 'The Coming of Arthur' by Alfred Lord Tennyson.)


The opening poem has evoked many a May at festivals and gatherings since it was written 40 Mays ago. We thought it was time for a definitive studio recording.
Robin Hood and Anne Boleyn appear as the May King and the May Queen on tracks 2 and 3/4. Robin Hood, a legend based on the Saxon resistance of the historical East of England freedom-fighter Hereward the Wake, would be most at home with Mayday’s later association with workers’ rights, being a people’s champion. His court is in the forest.
Anne Boleyn took her customary role of May Queen in King Henry's celebrations on May 1st 1536 and by May 19 that same year was beheaded!
Anne is joined by as many Norfolk night birds and beasts as we could 'capture' on track 5. (How many can you identify?) The May is well and truly in by the time it ends.
Tracks 6 and 7 explore older British versions of Bringing in the May in the King Arthur legends. The Grail Maiden is associated with the return of fertility to the Waste Land and King Arthur's coronation was traditionally May 1st ( on which day his 'shadow' the Winter King, sometimes called Mordred, was also born. )
Arthur is associated with a court dedicated to the rule of right over might and a quest of a Holy Grail.
One of Arthur’s knights Sir Gawain (originally Gwalchmei, Hawk of May) waxes with the summer and wanes with the winter like “the force that through the green fuse drives the flower” described by the Welsh poet Dylan Thomas.
garethcalway.blogspot.com/2021/05/bringing-in-may.html

credits

released March 12, 2024

All tracks written, composed and/or arranged by Peacock's Tale (the first Child Ballad 'Riddles Wisely Expanded' extract at the end of track 7 owes much to the 2013 version by Mitchell and Hamer )
Warwick Jones plays lead guitar and sings harmony on track 4, which he also produced. For which heartfelt thanks.
Cover pic (the Ladywell in Sedgeford) by Bhas Allan.
All garden pics are Norfolk spring 2021, featuring various avian companions including a pair of resident (and keen to be photographed) robins. Cover and track 6 (Grail Maiden) photographs by Bhas Allan.

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Peacock's Tale Musical Storytelling Sedgeford, UK

It's all right, folks, we're married. A marriage of melody and rhythm ( flirting with harmony & timbre.) Old married woke folk, indie, Norfolk noir, beat poems, ghazals & Americana for the world from NW Norfolk. Maz lead & harmony vocals, acoustic guitar. Gaz lead & harmony vocals, drum & bass. Traditional tunes with contemporary beats.
garethcalway.blogspot.com/p/doin-different.html
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