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Last of the Iceni: The Story of Boudicca

by Peacock's Tale Musical Storytelling

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1.
Strophe We’re the restless ghosts in the winds and rains, Funnelling the valleys, sweeping the plains, Inlets and warrens that run underground, Unbridled pathways, unquiet streams, Haunted hidden corners of rootless sound, Hives of Iceni, dead and unqueened, By bronzebreasted redcrests violently weaned, We’re the baby who wails for her dead mother’s breast. Antistrophe We are dead keening women, whispering grass, The breath in the lilac and bluebells, the blast Through the pale yellow oak leaves, hawthorns And nettles. And that shout, queen of warriors, From your victory chariot with your triumphant Horsemen around you! And that salt chill of a winter’s Reprisals that blighted twice twenty summers. We’re the mother who wails for her new baby’s death. Catastrophe We are the cries in the corn, the harrowings hooted Under moons of hunger, in the squeals of the hunted, The creaking of geese through night-forest fears, The unresting dunes and the moaning wave-break, We’re the memory that’s cankered two thousand years Of Celtic blood with an unhealing ache, We’re the oracles lost in the noise diggers make. We’re the dead daughters wailing for the end of the world.
2.
3.
Woad Riot 02:37
Boudicca got a lot of Romans Hanging out in the Styx; The Woad Goddess goes to school Where they teach her how to be nix. She’s the Mother of Britain’s Biblical kicks Against the odds, Against the pricks. She’s the crazy moon In a gurly whirl The finest hour Of the Norfolk girl! Ride ride, I wanna ride, Ride ride, a riot on my horse, Woad woad, a-whoa woad, Blow whoa, a riot on my horn! She’s the fury in Janus’s office Sown with the wildest oats, She’s a wild goose-chasing sky, The whiff of burning boats. She’s the country queen With the world in sway Who blooms and blows It all away. She’s the crazy moon In a gurly whirl The finest hour Of the Norfolk girl! Ride ride, I wanna ride, Ride ride, a riot on my horse, Woad woad, a-whoa woad, Blow whoa, a riot on my horn!
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7.
In The City 00:30
8.
9.
The Clash 12:27
Now as a summer dawn paints the ripening green-gold spears of Iceni corn a battle blood red, Boudicca turns her attention to provincial governor Suetonius Paulinus. This seasoned professional soldier marching hot-foot from his rout of Welsh tribes in the West, Concentrates his army at a place never really identified but some believe near Fenny Stratford on Watling Street...
10.
No Future 04:14
She is history not myth but remember History is written by the vicar And she neither wrote nor won. No freedom, no future, no fun. Rome had to win or lose an Empire, Britain had to win or simply expire, And with it the Western horizon, No freedom, no future, no fun. Procurator Decianus Catus Spoke down his nose, spoke down his anus, "The Emperor claims the dead king's kingdom" No freedom, no future, no fun. There’s no future in your Roman dream, Your traffic lanes and your shopping schemes, Your soapless baths and your manly steam, The Iceni queen bee is making free With your city! She danced to the wardrums, warhooves, hornwhine, Exhorting, as Romans were drilled into line, Her race to fling back the squares of London: No freedom, no future, no fun. Now her rebels hole up, where home is none, On roots thin as hope and a dream of Britain, Hunted through nettles and thorns, their soles stung: No freedom, no future, no fun. Her hard core Iceni's last stand and fall Is the longest, fiercest, stubbornest of all But is crushed - like flint - in The Battle of Thornham: No freedom, no future, no fun. There’s no future in your Roman dream, Your traffic lanes and your shopping schemes, Your soapless baths and your manly steam, The Iceni queen bee is making free With your city! "Our Roman matrons have a place too In a civilised home: I could offer you A place in mine: dresses, baths, decorum:" No freedom, no future, no fun. Death-and-glory queens, country dragons: Whores of fashion in Camolodunum, In Roman roses their own scent gone, No freedom, no future, no fun. The salts that she sowed in the Squareheads' wounds Return in a wash that will sour our lands But they couldn’t chain her to the History of Rome: She chariots a tide in Whitehall home! There’s no future in your Roman dream, Your traffic lanes and your shopping schemes, Your soapless baths and your manly steam, The Iceni queen bee is making free With your city!
11.
Rude Girl 03:55
12.
Julius Caesar and the Roman Empire couldn't conquer the blue sky" and I think of you, Boudicca, with that same sense of singing triumph even though your glory days were under grey skies and short-lived and weren't innocent or cornflower-pretty as some Celtic blue summer and had more to do with this Norfolk flint and stubborn soil than an air of heaven and even though Decianus Catus and the Roman Empire seized the sunrise of your three easy wins as if seizing the flames of your famous red hair, and even though Suetonius Paulinus and the Roman Empire crushed your country if not your body in his square Roman fist sowed harvests of hunger rubbed decades of salt in your people's wounds the old word buddug still sings in my Welsh blood, in the Norfolk winds off this unresting sea buddug: buddig: victory
13.
14.
Clashtonbury 02:06
Went down West to Glastonbury To the hippy revolution: Romans dressed as Celts, and yippies Snorting fine solutions, Weekend greens on ganga grass Treading cowshit-hell pollution, We parked the car and pitched the tent And the pigs told us to move ’em Move the tent to the left, Move the car to the right You don't have any ri-i-i-i-ights And we don't want to be The "Offender" We don't want to be, The "Offender-oo-er" We came here to play Queen Boudicca But the Romans have take N over oo er Eighty five quid and no concessions, so What was all that about ‘open’? Bankers, wankers, bread-head merch It's a capitalist org-a- sm: They've raised a market in the fields, With a thousand kinds of freedom, Fifteen stages, 100,000 ways And an endless shift between them! Take a walk to the left (piss in a hedge) Trudge a mile to the right (sleep in a stream) You're in hell toni-i-i-i-i-ight And we wanted to be In Avalon And we thought we would be In Avalon and on.... We came here to play Queen Boudicca But the Romans have take N over oo er…

about

A underclassical tragedy/punk musical as toured to Lincoln (stage and radio), Icenia (warious), London, Cardiff (where a film was made for Japanese TV that we never heard anything more about) and a run at the 2011 Edinburgh Fringe. A very British tour.

We tell the story of Boudicca's historic revolt against the Roman conquest of her 'woman's realm'. ie the robbery with violence and selling off of her Iceni homeland (modern Norfolk, Suffolk and parts of Cambridgeshire) to First Century profiteers and developers. It contrasts the Roman way the story has been told for 2000 years (eg by Latin-speaking monks) with modern feminist, anti-ethnocentrist and Green versions.

The allegory is that Boudicca is a problem pupil in a school where the school is the problem or, if you like, a school in which the deposed Headmistress is now in detention with a Latin master determined to ‘teach her a lesson’.'

The verse-based combined arts stage show attracted repeat funding from both the Eastern Arts Board and Norfolk Country Council for a nationwide tour and an accompanying book Britain’s Dreaming, published in 1998 by Frontier Publishing (Norfolk). It engaged during that ‘Cool Britannia’ /devolution period with changing ideas of ‘Britain’ and ‘Britishness’.

I am sure that if we had played St Albans and Colchester as planned we would have burned the house down. We were also booked by the Glastonbury Festival - track 1 will tell you how that worked out. Not the only time this happened! A one man version performed in a Norfolk museum next to Sea Henge - the nearest we could get to its wild, free 4000 BC situ on a North Norfolk beach - led to its cancellation by another. A booking by a midsummer pagan festival imploded. From its original writing in 1996 through all its magical explosive stagings, it was always a troubled and unruly chariot.

But when she flew, she really flew. A summer solstice performance in a cornfield on Peddars Way (a Bronze Age road developed by the Romans as a military route) that did happen is recalled at the start of 'No Future'. The show at the Granary Theatre Wells next the Sea (the one after Glastonbury) - near the Iceni's final demise at Thornham - was probably the peak.

This accumulative record continues to ask why this iconic Celtic queen has majestic statues in London (which she burned down) and in the Hall of National Heroes in Cardiff; but none in the Norfolk she ruled. Fasten your holly and wickerwork seatbelts for a wild allegorical chariot ride through our viral-capitalist times in which Boudicca the queen bee and Mother of Britain stage a rebellion against extinction.

credits

released June 18, 2021

Cover pic: Edinburgh Fringe poster image by Les Chappell

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Peacock's Tale Musical Storytelling Sedgeford, UK

It's all right, folks, we're married. A marriage of melody and rhythm ( flirting with harmony & timbre.) Old married woke folk, indie, Norfolk noir, beat poems, ghazals & Americana for the world from NW Norfolk. Maz lead & harmony vocals, acoustic guitar. Gaz lead & harmony vocals, drum & bass. Traditional tunes with contemporary beats.
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