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1.
Ye feasters up on Fiddler’s Hill Where crossroads meet the harrow, Take care you don’t disturb the sleeping Bronze Age burial barrow. O shun this ground from dusk to dawn Or live a dreadful tale Of a Black Monk at the tunnel’s mouth To turn your red lips pale. Don’t follow the fiddler and his dog To Walsingham under the hill To lay the foul Benedictine ghost: That fiddler lays there still. “I will play through the tunnel!” cried the jolly fiddler To the cheering local crowd, “Stamp time and follow my tune above, For I play both brave and loud.” And so he fiddled and so they stamped His three mile course underground But his fiddle stopped under Fiddler’s Hill In the silence of the mound. Each dared the next down the tunnel’s mouth But none would dare themselves And at midnight the fiddler’s dog emerged Like a hound bewitched of the elves. His tail thrust down between his legs, His frame a shivering wrack, He howled and pined at the dreadful hole But his master never came back. “I will play through the tunnel!” cried the jolly fiddler To the cheering local crowd, “Stamp time and follow my tune above, For I play both brave and loud.” A violent storm drove everyone home And when they awoke from sleep The entrance was gone, the fiddler too, Into a Nameless Deep. In this county of beet and barley and beer, This county of fish and farrow, There’s folk you can trust, there’s furriner folk, And there’s folk who come out of a barrow. The moral of this, and it’s old as the hill, Is that mounds aren’t for tunnelling, If a grave tune plucks the strings of your heart, Keep the devil under your chin. “I will play through the tunnel!” cried the jolly fiddler And half his boast came true, “Stamp time and follow my tune above!” But he lost them half way through. © Gareth Calway 2015 published in the Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
2.
She is history not myth but remember History is written by the vicar And she neither wrote nor won. No freedom, no future, no fun. Rome had to win or lose an Empire, Britain had to win or simply expire, And with it the Western horizon, No freedom, no future, no fun. Procurator Decianus Catus Spoke down his nose, spoke down his anus, "The Emperor claims the dead king's kingdom" No freedom, no future, no fun. There’s no future in your Roman dream, Your traffic lanes and your shopping schemes, Your soapless baths and your manly steam, The Iceni queen bee is making free With your city! She danced to the wardrums, warhooves, hornwhine, Exhorting, as Romans were drilled into line, Her race to fling back the squares of London: No freedom, no future, no fun. Now her rebels hole up, where home is none, On roots thin as hope and a dream of Britain, Hunted through nettles and thorns, their soles stung: No freedom, no future, no fun. Her hard core Iceni's last stand and fall Is the longest, fiercest, stubbornest of all But is crushed - like flint - in The Battle of Thornham: No freedom, no future, no fun. There’s no future in your Roman dream, Your traffic lanes and your shopping schemes, Your soapless baths and your manly steam, The Iceni queen bee is making free With your city! "Our Roman matrons have a place too In a civilised home: I could offer you A place in mine: dresses, baths, decorum:" No freedom, no future, no fun. Death-and-glory queens, country dragons: Whores of fashion in Camolodunum, In Roman roses their own scent gone, No freedom, no future, no fun. The salts that she sowed in the Squareheads' wounds Return in a wash that will sour our lands But they couldn’t chain her to the History of Rome: She chariots a tide in Whitehall home. There’s no future in your Roman dream, Your traffic lanes and your shopping schemes, Your soapless baths and your manly steam, The Iceni queen bee is making free With your city! © Gareth Calway 2015 published in the Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
3.
Red as Christ's blood, White as chivalry But shouldn't our Saint Be an Angle like me? You can shoot me with arrows And chop off my head But the Christ within me Will never be dead. In a thick wood my people Lose one another "Where are you? And where's The head of our Martyr?" You can shoot me with arrows And chop off my head But the Christ within me Will never be dead. "Hic hic, over here!" My head wolf-cries, Holy spirit of England That never dies. Between a wolf's paws They find, in wonder My head that to body Returns un-sundered. You can shoot me with arrows And chop off my head But the Christ within me Will never be dead. Yeah George kills for Christ And worships Victory But shouldn’t our saint Be an angel like me? © Gareth Calway 2016
4.
For the soul of England For your own spirit's sake, Lift up your heart and voice For Hereward the Wake. A thousand years ago In woodland and fen A Goliath-slayer, A David of men. For the soul of England For your own spirit's sake, Lift up your heart and voice For Hereward the Wake. His underdog spirit And story lives on In the Freeborn English Of this robin-song. For the soul of England For your own spirit's sake, Lift up your heart and voice For Hereward the Wake. © Gareth Calway 2016
5.
Call their names from the rubble: Alexander de Langley, Mad as a scholar – ‘here’. William de Somerton, William Dyxwell, Priors and bad boys - ‘here.’ A mad monk in solitary, buried in chains, Tortured to brake his devil; Alchemy funded by holy sales, Double and bubble and trouble; Monks eating bran and drinking rain Till King John raised the siege; A wanderlust prior, administ-truant, Deposed and then reprieved. Chorus ‘As the green of summer breaks in spring From hedgerow, field and tree So let our souls in freedom burst From the walls of this Priory.’ The peasants were revolting here In 1381 When Master Lister led the charge That started all the fun. ‘Enough!’ he cried, ‘of fattened bishops Fed on Priory rolls, Enough of tenants, rents and lords And serfdom’s heavy loads.’ Chorus The old order stood another six generations, Its dead Norms carved in art Then the ghost of Lister came back to haunt The Priory’s stony heart. He laughed as Henry’s inspector called, Found ‘fault’ with the Priory rolls, ‘Down with these rood screens, saints and crowns And idol Gods on poles; ‘Whitewash these saints from the walls of the nave, A clear new page for the Word, Your bishops’ bank is ruined now There are no serfs to herd! Chorus This high Notre Dame of Norfolk shrunk To a nave-sized Parish Church, Abandoned wings sold off for stone To men scarce more than serfs But when Paston quarried the haunted pile To build a house in the grounds, A wall killed a workman and none to this day Will build in Priory bounds. Three miles to the West, Roman relics and smoke Rise again from Celtic Earth Like the re-appeared saints whose rooted gaze Reclaims the walls of this church. ‘Let the holy rain of autumn fall From the solitary tree And the grass grow wild and the four winds blow Through the grounds of this Priory.’ © Gareth Calway 2011 published in the Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
6.
It was on a somer’s evening, The merry month of May, When buds are free and briddes sing And leaves are brave and gay. I met a surly abbot, Cruel steward at his side And now his guards lay slain or fled But at me he did chide, ‘Pawn so soiled and churlish, Living like a beast, Your king crusades against the Turk, Spare me and join the feast.” “Norman,” I laughed, your danelaw’s Ploughed every inch of this land, You’ve snatched your danegeld twice and thrice With chainmail on your hand,” “Now stubborn as Danish sokeman And true as Saxon thegn With a ‘waes heal’ and a freeman’s shout, We snatch it back again. “In the name of good King Alfred And the nation that he saved, In the Lincoln green of an English knight, We make our own crusade.” “There’s knight blood on my longstaff Fresh as the day I fled: I hit him and hit him and hit him And hit him until he was dead. I’m much too far gone, Abbot, For you to save my soul, Besides in that great pile of flesh, Where’s yours? The devil’s hole. “For all your noble churches With turrets and with towers, For all your royal forest laws The venison is ours. “Call for beef and mutton, It tastes like sheep and cow, Stuff your pork till you’re blue in the face, It’s villein’s boar and sow. “You can keep your cuckoo’s feathers, Your fancy foreign drawl, All we want back is the silver and gold You loot by cross and law. “In the name of good King Alfred And the nation that he saved, In the Lincoln green of an English knight, We make our own crusade.” The swift as the sunlight’s flicker Behind the still-leafed tree, I caught the chink of a tinkling spur And a mounted lady’s plea. “Stout yeman, I beg your mercy Upon yon abbot’s life,” Golden hair flowed from her golden crown, In my heart went a long cold knife. “She’d never meant to parley Though she used the English tongue, You slew a knight whose daughter I am. Now your bowstring music’s sung.” I planted my last arrow Deep in the forest green, “Where it lands I live an outlaw forever.” I fell at the feet of my queen. Now the light is painfully fading On the merry songs we sang And the flight for our lives through the trees And the future left to hang… “In the name of God’s King Alfred And the harvest that he saved, Against these king of the castle knights, We’ve made our last crusade.” © Gareth Calway 1991, published in the 2015 Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
7.
The Angevins were Very Bad, And Worst of All was John: As foul as hell is, it’s defiled By Eleanor’s Little One. Usurped his Lionhearted Bro, The One Good Angevin; Jugged Merry Freeborn English (yay!) Forest-flying Robin. Villain of the Good/Bad History School and book and song, ‘Inadequate with some Capone’ John. King John. …Bad King John. In 1216 at all time low, His ‘soft sword’ half advanced, His shrunk-crown empire Richard-pawned, Normandy lost to France, (pah!) Despised by all those Magna barons Carting him to heel Flinging him to French invaders And Abdullah’s deal: England given to Mohammed! A rock moored off Morocco, Hapless John at bay and 4 years Excommunicado. Villain of the Good/Bad History School and book and song, ‘Inadequate with some Capone’ John. King John. …Bad King John. From Lynn, he armied up to Lincoln As the Wellstream rose[5], Despised by Emperor, peasant, guild; His Rome-rule churches closed; 3000 men, wheels coming off, Up creek without a guide; The royal dosh lost in the Wash - He never lost our pride. Three wheels on my wagon But I’m still rolling along I’m wicked, selfish, lecherous, cruel, You learned about me in your school Now I’m under the cosh Lost my dosh in the Wash But I’m singing a happy song. For out in Norfolk we do different, And his haven, it was Lynn, Their domain he made our borough[6], Gallant little Linnet king. Victim of the Good/Bad History School and book and song, His Brother’s Bad Book Good Book Keeper John. King John. …Good King John. © Gareth Calway 2015 published in the Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
8.
“He said not 'Thou shalt not be tempested, thou shalt not be travailed, thou shalt not be dis-eased'; but he said, 'Thou shalt not be overcome…’ ‘All shall be well al shall be well and all manner of thing shall be well.’ They buried me alive in here, The dead they’ll never raise The maid a parish came to love, A movement came to praise. No motion has she now, her course Is inward, grave and still; The church behind her every move, The tomb her anchored will. ‘’So, Julie, can I ask-’ A hush. It’s ‘Julian’ she sighs. ‘You after some big bishopric?’ ‘I need no name that dies.’ ‘I’m out of here if that’s your tale, My column talks the town. I’ll lose my pitch, my job, my mind, I’ve got to nail this down.’ ‘O frightened child, just run to Him,’ I’m not like you – you’re dead! ‘Dead to the world yet still attached, All shall be well,’ she said. ‘He showed into my mind a nut.’ I’m seeing one, I grin. ‘In it we seek its maker, rest Where there no rest is in.’ ‘You saw Eternity last May Through Death’s wedged-open door?’ ‘This crucifix - like rain from eaves, I saw its hot blood pour.’ ‘I saw in sixteen shewings how We must – we can - abide Dis-ease, travail and storm, for we’re The thorn in God’s soft side. ‘Which side is that?’ ‘His female side’ ‘The Trinity has another?’ ‘Christ bears us all upon His breast, His wound’s our womb and mother. ‘O frightened child, just run to him,’ I’m not like you – you’re dead! ‘Dead to the world yet still attached, All shall be well,’ she said. © Gareth Calway 2015 published in the Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
9.
“If by this act I can light a flame Feed the wax of Flesh to burn Love’s Name In the unlettered lives of Jesu’s people, The ground down to earth, the poor, the meek, the faithful: The pain of Flesh passing is well worth the candle. It’s a heaven to die for!” (from A Nice Guy: The Burning of William Sawtrey) They told me that the bread became Christ’s Body not His Ghost. I said a priest’s no sorcerer That did it: I was toast. They tortured me, ‘recant Your reasoning, or roast!’ I said ‘I cannot bear your Cross.’ That did it: I was toast. They told me that Richeldis saw Our Lady not a ghost. I said ‘chalk eggs to Falsingham!’ That did it: I was toast. They said a Roman prayer or Mass Would keep me in my post. I said ‘An English sermon’s best.’ That did it. I was toast. ‘Our Sacraments are spirit gold,’ The brassy bishops boast ‘And all that gilders isn’t God!’ That did it: I was toast. They Credo-bashed, defrocked and lashed My body to their post. I answered them with Balaam’s ass. That did it: I was toast. They told me that the bread became The hostage not the host. I said ‘Man needs the bread as well.’ That did it: I was toast. They burn me like a fallen Eve, A holy without smoke, I climb up like a morning star, The dreamer’s gleam of hope. © Gareth Calway 2014 published in the 2015 Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
10.
I cut a dash through Bishop’s Lynn, Proud daughter of its Mayor, My cloaks with modish tippets slashed, And gold pipes in my hair. I burned to die, I sinned a sin That’s never been confessed - Except to God - a Lollard sin To hold it in my breast. This Book I weep in blood Up from the heart’s deep well Would drown the earth in heaven tears And church the tongues of hell. But hearing heaven’s Song of Songs I shun the gutter’s Ouse And though you rule me, husband, priest, A single life I choose And every pilgrim step I trudge From wedlock’s grave mundane And married flesh and churchman’s plot Is singing with God’s name. This Book I weep in blood Up from the heart’s deep well Would drown the earth in heaven tears And church the tongues of hell. I bend my will to holy men Confessors clerks and seers Yet drown their prayers and sermons in A Noah's Flood of tears. I wash away my sins with tears That heaven and earth should meet. My heart is bleeding as I kiss His tender face and feet. This Book I weep in blood Up from the heart's deep well Would drown the earth in heaven tears And church the tongues of hell. © Gareth Calway 2014 published in the 2015 Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
11.
12.
Go steady stairwise as you come and go, Sir. I lived here once; I am the ghost of Wood - County Sheriff Alderman Edmund Wood - A big-framed, sturdy, rich-grained merchant grocer As solid and as warm as you could know, Sir, With roots in river trade and limbs that stood Through Henry’s heady scythings and made good, A Mayor of Norwich, but not lofty, No, Sir! For Edmund’s goods sail up the river, his goods sail down And wholesome business there is done and nourishes the town. What noble feet, I wonder, trod this Hall When smoke could not escape from fires below Except to drift from high hole or from window? What blessedness a chimney brings to all! Who cares to live in parlours like the noble, And keep their Hall for entrance, feasts and show? I build my nest above but, in a glow, Stand grounded at my fireplace when you call. For Edmund’s goods sail up the river, his goods sail down And wholesome business there is done and nourishes the town. I’ve made a tidy pile so why not build one? And as St Clement’s is my place on earth, My hive of city labour, my life’s work, Let Sexton’s Manor, Aylsham, be my heaven; It tickles me to build and run a mansion Like those whose fortune comes to them by birth; Though mine has come by labour, it is worth More love for that, love arduously won. For Edmund’s goods sail up the river, his goods sail down And wholesome business there is done and nourishes the town. “various sums for repairs to the city wall and the Fyeing (cleaning) of the river, and £10 to repair the road between Norwich and Attleborough…20 Shillings apiece to 20 poore maydens for their marriage… £20 to poore men’s children within Norwich to be brought up to lernynge….” The Will of Edmund Wood, Mayor of Norwich and creator of Fye Bridge House (d. 1548) Some say my open-handedness was taint, My last benevolence a sharp desire To buy my soul from purgatorial fire; That we rich men of Catholic times would fain Give poor men twenty pounds for higher gain With Mary Queen of Heaven and aspire Repairing river, wall or road to hire her; By aiding maids and scholars, buy a saint. And Edmund’s goods sail up the river, his goods sail down And wholesome business there is done and nourishes the town. But heaven is the treasure we have given To brides and scholars ... or to Fye the river, For city wall ... or road to Attleborough - An upstairs floor in air, or else a dungeon In God the Father’s house, my life the mansion Of rooms I earned from widow, woodman, weaver (And Flemish Maddermarket-stinking dye and lucre!) And joined as one, on earth as here in heaven. And Edmund’s goods sail up the river, his goods sail down And wholesome business there is done and nourishes the town. For man must eat as well as bow and flatter And cities grow from traffic, purse and labour Since all is founded there, or else on sand; Though nobled by my country house and land (A family crest remains to clinch the matter) My island’s one in substance with my neighbour. And the river laughs softly under summer leaves And the ghost of Catholic England floats away to the seas. © Gareth Calway 2004 republished in the 2015 Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
13.
(Wyatt) A moon of May and a shining hour Hunted hind harried in the gloom And passing fair is the fading flower Fa la la la la la la la la la. You stalked me softly who later flew Hunted hind harried in the gloom And kissed me bold, wild and free and new. Fa la la la la la la la la la. With lips of young, sweet and dangerous rose Hunted hind harried in the gloom That like the blood-red of summer blows. Fa la la la la la la la la la. (Anne Boleyn) So wild to hold though I seem so tame; Hunted hind harried in the gloom I lost my heart when I won the game. Fa la la la la la la la la la. A Tudor rose and a May queen’s throne. Hunted hind harried in the gloom I plucked them both and now both are gone. Fa la la la la la la la la la. I lost my soul for a golden band Hunted hind harried in the gloom That bows the neck as it forced the hand. Fa la la la la la la la la la. I lost my head for a peerless hour Hunted hind harried in the gloom And my True Thomas in the tower. Fa la la la la la la la la la. Six headless horses to lead me home; Hunted hind harried in the gloom A headless coachman; a hollow crown. Fa la la la la la la la la la. © Gareth Calway 2015 published in the Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
14.
I stole to the door of Blickling Hall On the nineteenth night of a moonlit May And met the ghost of Anne Boleyn Shining bright as day. Six headless horses drew her coach A haunted headless coachman drove, ‘Give them their head!’ she laughed, then turned On me her look of love. ‘I lost my hart in the darkest chase, On the dying fall of a hunting horn. I lost my head for the rose of the world And the rose withered on the thorn. ‘A death-white moon with a raven head And a smile like a blossom of lovely May I sold my heart for a worldly crown And I’ll take your breath away.’ ‘I’m not your True Thomas!’ I cried in dread And her witch head turned in its rotting shroud ‘Ah! You’ve named the angel who guards my grave,’ And she hid her moon face in a cloud. ‘I lost your hart in the darkest chase On the dying fall of a hunting horn. I lost my head for the rose of the world And the rose withered on the thorn. © Gareth Calway 2015 published in the Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
15.
As I lay down on Mousehold Heath, I heard two corbies beak to beak, ‘It’s cold as death, fifteen below. To Norwich Castle let us go. ‘Upon its wall, a traitor hangs Who led last summer’s rebel gangs: Twelve thousand men, a city strong, Unfencing nine and twenty wrongs.’ The Commons’ land, he gave it back Then led their time-honoured attack And his bare bones shall be his plaque Till crows are white and snows are black. At Dussindale they broke his army; His brother hanged on Wymondham Abbey; His name is blood in church and state, We’ll pick his bones to celebrate. His brave old England: shabby crops Outselling woollens in the shops; The oak its heart until its bark Is cut to build a new car park.’ The Commons’ land, he gave it back Then led their time-honoured attack And his bare bones shall be his plaque Till crows are white and snows are black. ‘His brave new England on the hill In narrow streets and arms fulfilled; Its oak near Hethersett will stand While people matter more than plans.’ The Commons’ land, he gave it back Then led their time-honoured attack And his bare bones shall be his plaque Till crows are white and snows are black.[9] "This Memorial was placed here by the citizens of Norwich in reparation and honour to a notable and courageous leader in the long struggle of the common people of England to escape from a servile life into the freedom of just conditions" Plaque on the wall of Norwich Castle © Gareth Calway 2015 published in the Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622
16.
1. Battle Hymn (Oliver Cromwell's tomb read God not man is King. Freeborn John Lilburne said Man not King is God...) 'Cut off his head with the crown upon it, God damn this king!' we cried 'Only tyrants will tremble recalling this day. Good men recall it with pride. ' Cavalier tales of Cross-dressing Kings Royal-escaping up oaks! (Ha) Give us that heaven on earth achieved And run by New Model blokes! The greatest England for 400 years From Agincourt to Waterloo Won with God on our side at Naseby Field For ever! For England! For you. 2. Freeborn John The bloodiest war in our history And one in four of us died For a castled king on a stagnant throne In a revolutionary tide. ‘I spilt my blood so I need a voice!’ Cries Freeborn John at Putney, ‘Who dies for England is England’s king, We are no grandee’s army. ‘The poorest man in England has The right to live as the greatest, Our God’s the All in all, our king’s The Christ in every breast.’ The bloodiest war in our history And one in four of us died For a castled king on a stagnant throne In a revolutionary tide. We’re the voice of the Freeborn Englishman That was raised at Magna Carta, The Dissenting flag of the Good Old Cause, The common or garden martyr. I rose with Tyler, Straw and Ball When peasants shook the kingdom, I was sold down that river of blood by a king Who hawked the soul of England. We need no manor house and land To fix our permanent interest, We fight for England, our rights and ourselves: No mercenary business. The bloodiest war in our history And one in four of us died For a castled king on a stagnant throne In a revolutionary tide. I will rise at Kett’s Hill and Tolpuddle, I will fall at Peterloo, March to Chartist hell and a Newport hotel To win this Britain for you, Die a million deaths in two world wars Though the portion’s not so many As died for Charles, that Man of Blood, And in our redcoat Army. A new model England truly advanced, Through rank and royal sin In a cavalry charge to a Future Now Whose ‘God Not Man Is King’. The bloodiest war in our history And one in four of us died For a castled king on a stagnant throne In a revolutionary tide. © Gareth Calway 2015 published in the Poppyland volume "Doin Different" https://www.poppyland.co.uk/products/B79622

about

DONE DIFFERENT is a double album of new folk Ballads celebrating "Boudicca's Country" (ie Icenia: Norfolk, Suffolk and parts of Cambridgeshire plus the East of England she led to revolt against Rome). Like the book it's based on (Gaz's 2015 Poppyland volume "Doin Different, new folk ballads from the East of England.") originally subtitled "Boudicca's Country,", this album celebrates the sung and unsung heroes and heroines of Icenia's history, set to traditional or contemporary folk tunes, all performed and recorded by the Norfolk musical storytelling duo Peacock’s Tale. "Done Different" is the musical realisation of "Doin Different" in two one hour albums of 16 tracks each.*

These ballads have been performed live before audiences all over East Anglia, notably during a "Doin Different" tour that was launched on a Bronze Age barrow near Binham; (DD, track 1) then toured East of England folk festivals; folk clubs, libraries, arts centres, village halls, churches, historic houses, history groups, pubs and theatres. DD Track 7 (“Badass King John”) was probably its media high point when Gaz rapped it as part of a civic ceremony unveiling the statue of King John in Conduit Street Lynn, which headed the BBC Look East news programme that evening. DD 11 and DD 2 7 were high points of "The House of On The River", an earlier Norfolk and Norwich Festival show and East Anglian tour about the life of and times a Tudor merchant house in Norwich. A capacity Lynn Minster audience watched a 50-part choir perform the final track of DD2 in a play featuring 5 other Done Different tracks as its musical score. A "Doin Different" set played the Folk in the Town festival and Folk in a Field festivals and successive Lynn Heritage days.

The "Doin Different" tour even boldly ventured beyond the Waveney, regaling Suffolk history groups and festivals with stories about their county rivals while sharing stories about our common Celtic queen, Boudicca. It also took St Edmund to Bury, Hereward to Ely and Bourne, Boudicca to Lincoln and Cromwell to Ely.

Folk ballads (the Child Ballads are the classic example) are more literary than many song lyrics and tell 'news that stays news" stories of unaccommodated man and woman up against the odds and the elements. They tell of Sir Patrick Spens in all his glory going helplessly down beneath the foam of the Pentland Firth; of the May Queen in every village cut down like a rose in her prime. Ballads are elemental, primitive, urgent, earthy, spooky, haunted, both edge of nightmare real and cartoon-larger than life. They tell of murders and heaths and ghosts and riddles and magic and stark heroic defeats. Our generation may well have first met them in an ‘O’ level school book (like “The Poet’s Tale”) 50 years ago before hearing them anew on contemporary folk albums. These 30 ballads were originally published as poems, albeit poems that "tell a story" - just as the old ballads were.

Our interpretation of folk is the stories of the common folk, either about their heroes and heroines or about themselves; its music made by ordinary folk - sea shanties, work songs, chants, nursery rhymes, skiffle, rap and - with its emphasis on something urgent to articulate rather than the cleverness of the articulation- - punk. Apart from our beloved guest musicians of whom we are in awe and who are very virtuosic indeed, our instrumentation is simple, the mood direct and urgent, the ballad metres etched by percussion and bass; the words typically in a folk idiom: imagery drawn from nature and strong feeling in the manner of Wordsworth's "Lyrical Ballads" ie "language really used by men" - we would add "and women" - in heightened situations.

We like a drone - that oddly psychedelic feature common to folk, classical Early Music and the music of the East - and that is the main use to which the harmonium is put on this album. The alto recorder is used sparingly, as much birdcall/ wind/ghost sound effect as musical instrument (and our extremely modest contribution to its extinction rebellion.) Other than that it's just female and male voice, in lead/support, unison or harmony, drum and bass and occasional acoustic guitar and an emphasis on strong tunes and choruses - and, on the earlier tracks of DD1, on the monks' chants that used to fill the churches and friaries of this landscape . A handful of the ballads are even left as spoken word with or without a setting, the art of the recitative than the aria.

All that said, Maz's voice rings out throughout like a song thrush on a May morning, which I think is a perfect fit for any 'folk' ballad. We're probably at our 'folkiest' on the real Robin Hood ballad set to the Lincolnshire poacher and on the rousing closing track of each album.

Peacock’s Tale folk indie duo met, long before we ever thought about making music together, in 1975 at UEA, whose motto, following that of the Norfolk it stands on and celebrates, is ‘Do Different’. It seemed meant.

*The original book collected 39 new ballad lyrics together with assorted scores, chords, photographs of Norfolk heroes, heroines, places and the performers and composers
www.poppyland.co.uk/products/B79622
and remains a bumper resource of scores and chords for those wanting to play (or compose new settings) for the 39 ballad lyrics. The book has two scholarly introductions, one an historical, the other a literary, introduction to the folk ballad form, even including a brief consideration of the Norwich City anthem ‘On the ball City’ as an example of how community 'ballads' come to be written and developed (to wit, you can hear the Barclay End in full cry singing it towards the end of Done Different 2.)

credits

released March 11, 2024

Maz: lead vocals, backing and harmony vocals, voice, acoustic guitar.

Gaz: percussion, voice, support vocals, lead vocals, bass guitar, harmonium, alto recorder, field recordings.

Unless otherwise indicated all titles written and composed (or written and trad/arr) by Peacock's Tale. And performed by Peacock's Tale.

Guest players

Guitars and additional vocals on "The May Queen" by Warwick Jones

Lute and baritone/harmony vocals on "The Ballad of Edmund Wood" by Chris Goodwin.

Soprano vocal on "The Ballad of Edmund Wood" by Jeni Melia.

Tracks 4, 8 and 15 (except for the "Cut off his head with the crown upon it" prefix) composed by Andy Wall; written by Gareth Calway.

Track 10 composed by Vanessa Wood-Davies; written by Gareth Calway. (Except "The Lady of Shereford" coda" written and composed by Warwick Jones Maz: lead vocal; Warwick: guitars and vocals. )

Track 13 composed by Henry VIII; written by Gareth Calway.

Album recorded and produced by Gaz (except "The May Queen" recorded and produced by Warwick Jones)

Cover photo by Bhas Allan

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Peacock's Tale Musical Storytelling Sedgeford, UK

It's all right, folks, we're married. A marriage of melody and rhythm ( flirting with harmony & timbre.) Old married woke folk, indie, Norfolk noir, beat poems, ghazals & Americana for the world from NW Norfolk. Maz lead & harmony vocals, acoustic guitar. Gaz lead & harmony vocals, drum & bass. Traditional tunes with contemporary beats.
garethcalway.blogspot.com/p/doin-different.html
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